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Chivalry's Pantheon

Unveiling the archetypes of medieval valor and virtue through the lens of the Nine Worthies.

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Origin

Literary Genesis

The concept of the Nine Worthies emerged in the early 14th century, first articulated by Jacques de Longuyon in his 1312 work, Voeux du Paon (Vows of the Peacock).1 This selection was deeply influenced by the chivalric romance genre prevalent during the Middle Ages, aiming to provide exemplars of martial prowess and moral virtue for aspiring knights.

Defining Ideals

These nine figures were considered paragons of chivalry within their respective traditions: Pagan, Jewish, and Christian. They were often referred to as "Princes," irrespective of their historical titles, embodying soldierly courage and exemplary leadership. In French, they are known as Les Neuf Preux ("Nine Valiants"), and in Italian, i Nove Prodi.

Early Representations

The earliest known visual representation of the Nine Worthies is the 14th-century carving titled "Nine Good Heroes" (Neun Gute Helden) found in the Hansa Hall of the City Hall in Cologne, Germany. This carving distinctly portrays the three triads: the Christians (Charlemagne, Arthur, Godfrey), the Pagans (Caesar, Hector, Alexander), and the Jews (David, Joshua, Judah Maccabee).

Classification

Triadic Structure

The Nine Worthies are neatly organized into three distinct groups, or triads, reflecting their diverse cultural and religious backgrounds. This structure emphasizes a comparative approach to heroism across different historical epochs and belief systems.

The Nine Figures

The complete list comprises:

  • Pagans: Hector, Alexander the Great, Julius Caesar
  • Jews: Joshua, David, Judah Maccabee
  • Christians: King Arthur, Charlemagne, Godfrey of Bouillon

This tripartite division became a standard motif in medieval and Renaissance art and literature.

The Pagan Worthies

Hector of Troy

A prince of Troy and its greatest warrior during the Trojan War, renowned for his bravery and nobility in defending his city against the Achaeans.

Alexander the Great

The King of Macedon, who conquered a vast empire stretching from Greece to northwestern India. He is celebrated for his military genius and ambition.

Julius Caesar

A Roman general and statesman who played a critical role in the events that led to the demise of the Roman Republic and the rise of the Roman Empire. Known for his military campaigns and political acumen.

The Jewish Worthies

Joshua

The successor to Moses, who led the Israelites in their conquest of Canaan, fulfilling God's promise of land. He is depicted as a divinely guided military leader.

David

The second king of the united Kingdom of Israel, famed for slaying Goliath, his poetic and musical talents (attributed author of many Psalms), and his reign as a righteous, albeit flawed, monarch.

Judah Maccabee

A leader of the Maccabean Revolt against the Seleucid Empire in the 2nd century BCE. He is revered for his military victories and rededication of the Second Temple.

The Christian Worthies

King Arthur

The legendary British leader who, according to medieval history and romance, defended Britain against Saxon invaders. His tales are central to Arthurian legend, embodying ideals of chivalry and justice.

Charlemagne

King of the Franks and Lombards, and later Holy Roman Emperor. He united much of Western Europe during the early Middle Ages and is a central figure in French heroic legend.

Godfrey of Bouillon

A Frankish knight and one of the leaders of the First Crusade. He became the first ruler of the Kingdom of Jerusalem, renowned for his piety and military leadership.

Cultural Resonance

Medieval and Renaissance Influence

The concept of the Nine Worthies permeated medieval and Renaissance culture, appearing in literature, art, and performance. Their inclusion signified an adherence to established ideals of heroism and virtue.

William Shakespeare featured the Worthies in his play Love's Labour's Lost, though his characters' performance devolved into comic chaos, naming Hercules and Pompey alongside traditional figures like Alexander and Hector. In Henry IV, Part 2, Falstaff is compared favorably to Hector and the Nine Worthies. Don Quixote also invokes the Nine Worthies, claiming his own deeds surpass theirs.

Royal and Noble Association

The Worthies were often invoked by royalty and nobility to associate themselves with these esteemed figures. Francis I of France occasionally adopted the style of the Neuf Preux. The Ingeram Codex (1459) included their coats of arms among other exemplary individuals.

The concept extended to political figures as well. Nine privy councillors of William III were referred to as "Nine Worthies," including prominent figures like Marlborough and Devonshire.

Artistic Manifestations

Visual Depictions

The Nine Worthies have been a recurring subject in visual arts across Europe:

  • Cologne City Hall (14th Century): Features the earliest known carving of the group.
  • Nuremberg (1385-1396): Statues adorn the Schรถner Brunnen fountain.
  • Portuguese Armorial (1509): The Livro do Armeiro-Mor includes an illustration of David.
  • Lucas van Leyden Engraving (c. 1520): Depicts the Old Testament kings.
  • Hans Burgkmair Woodcuts (1519): Series illustrating the pagan heroes.
  • Alcalรก de Henares (1585): The Crรณnica del triunfo de los Nueve de la Fama presents the Worthies.
  • North Mymms Place (c. 1599): A frieze of the Nine Worthies was painted on this English manor.
  • The Cloisters, New York: Houses surviving fragments of a 15th-century tapestry series depicting five Worthies.
  • Castello della Manta, Italy (c. 1420): Features a fresco cycle by the Maestro del Castello della Manta.
  • Montacute House, England: Sculptures of the Nine Worthies adorn its facade.

The Nine Worthy Women

Emergence of Counterparts

In the late 14th century, the concept of female counterparts, the neuf preuses (Nine Valiant Women), began to emerge, though their selection was less standardized than the male Worthies. These women were often depicted as Amazon-styled warriors.

Varied Selections

Lists of Lady Worthies varied significantly. Eustache Deschamps included figures like Penthesilea, Tomyris, and Semiramis. Later lists, such as John Feare's (1586) and Thomas Heywood's (1640), introduced figures like Minerva, Boudica, Deborah, Judith, Esther, and various Christian queens and saints, reflecting evolving cultural perspectives on female heroism.

Artistic Representation

Art also depicted these female figures. Hans Burgkmair created woodcuts of six "Eighteen Worthies," including pagan women like Lucretia and Virginia, Jewish heroines like Esther and Jael, and Christian saints such as Helena and Bridget. Siennese paintings from the 15th century also featured male and female worthies.

Nine Worthies of London

Richard Johnson's Work

In 1592, Richard Johnson published Nine Worthies of London, a book that adapted the theme to celebrate nine prominent Londoners who rose from humble beginnings to achieve renown. This work highlighted civic virtue and the potential for social mobility.

Celebrated Citizens

The nine London heroes celebrated by Johnson included Sir William Walworth, Sir Henry Pritchard, Sir Thomas White, Sir William Sevenoke, Sir John Hawkwood, Sir John Bonham, Christopher Croker, Sir Henry Maleverer of Cornhill, and Sir Hugh Calverley.

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References

References

  1.  Johan Huizinga, The Waning of the Middle Ages, (1919) 1924:61.
  2.  Compare the concept of the "Tenth Muse".
  3.  Chapter V รขย€ย“ In which the narrative of our knight's mishap is continued
  4.  le chevalier errant, Bibliothรƒยจque nationale, Paris, mss. Fr. 12559, fol. 125v; manuscript dated to 1403-04
A full list of references for this article are available at the Nine Worthies Wikipedia page

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