Bone Char: From Byproduct to Essential Material
An in-depth exploration of bone char, its production, chemical properties, and diverse applications in water purification, sugar refining, art, and industry.
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What is Bone Char?
| Names | |
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Other names
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| Identifiers | |
CAS Number
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| ChemSpider |
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| ECHA InfoCard | 100.029.470 |
| EC Number |
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CompTox Dashboard (EPA)
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| Properties | |
| Appearance | black powder |
| Density | 0.7 - 0.8 g/cm3 |
Solubility in water
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insoluble |
| Acidity (pKa) | 8.5 - 10.0 |
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Except where otherwise noted, data are given for materials in their standard state (at 25 °C [77 °F], 100 kPa).
Infobox references
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Definition and Composition
Bone char, also known by its Latin name carbo animalis, is a porous, black, granular material derived from the charring of animal bones. Its precise composition is variable, but it predominantly consists of approximately 57–80% tricalcium phosphate (or hydroxyapatite), 6–10% calcium carbonate, and 7–10% carbon. Its primary utility lies in its exceptional capabilities for filtration and decolorization.
Production Process
Charring Bones
The manufacturing of bone char involves heating animal bones, primarily from cattle and pigs, in a sealed vessel at temperatures reaching up to 700 °C (1,292 °F). To ensure the quality and adsorption capacity of the final product, the oxygen concentration during this process must be carefully controlled and kept minimal. This controlled heating drives off most of the organic material, historically collected as Dippel's oil, while the remaining carbonaceous material forms the activated carbon component of the bone char. It is important to distinguish this process from the creation of bone ash, which results from heating bones in an oxygen-rich atmosphere and yields a chemically distinct substance.
Regeneration
Used bone char, having lost its efficacy through adsorption, can be regenerated. This process typically involves washing with hot water to remove accumulated impurities, followed by a controlled heating phase in a kiln at approximately 500 °C (932 °F) with a regulated air supply. This regeneration allows for the reuse of the material, enhancing its economic and environmental viability.
Diverse Applications
Water Purification
The tricalcium phosphate component of bone char exhibits a significant affinity for fluoride ions and various metal cations. This property makes it an effective agent for treating drinking water, particularly for the removal of fluoride. Historically, bone char was a primary agent for water defluoridation in the United States from the 1940s to the 1960s. It continues to be employed in certain developing nations, such as Tanzania, due to its local availability and cost-effectiveness. Furthermore, bone char demonstrates high adsorptive capacities for toxic heavy metal ions like copper, zinc, cadmium, arsenic, and lead, making it valuable for industrial wastewater treatment.
Sugar Refining
Historically, bone char played a crucial role in the refining of cane sugar. Its primary function was as a decolorizing and deashing agent, effectively removing colored impurities from the raw sugar liquor. Beyond color removal, bone char is also effective at eliminating inorganic impurities, notably sulfates, and ions of magnesium and calcium. The reduction of these scaling ions is beneficial, preventing fouling during the subsequent concentration stages of the refining process. While modern alternatives like activated carbon and ion-exchange resins are now prevalent, a segment of the sugar industry still relies on bone char for its unique efficacy.
Black Pigment
Artistic Applications
Bone char is highly valued as a black pigment in various artistic mediums, including paints, printmaking inks, and calligraphy inks. Its granular structure and carbonaceous nature impart a deep, rich black color with exceptional tinting strength. Renowned artists throughout history, such as Rembrandt, Velázquez, Manet, and Picasso, utilized pigments derived from charred bone. The term "ivory black" is often used synonymously with bone black, though historically it referred to pigment made from charred ivory. Due to cost and conservation concerns regarding ivory, modern "ivory black" pigments are typically derived from bone char.
Historical Masters
The profound depth and permanence of bone black pigment made it a staple for Old Masters. Its use is evident in the subtle gradations of shadow and the striking contrasts seen in works by artists like Rembrandt and Velázquez. In the 19th century, painters such as Édouard Manet employed ivory black to render the dark attire in iconic pieces like Music in the Tuileries, showcasing its enduring appeal in capturing form and volume.
Specialized Uses
Industrial & Technological Roles
Beyond its primary applications, bone char finds utility in several specialized areas:
- Petroleum Refining: It is employed in the refinement of crude oil for the production of petroleum jelly.
- Military Equipment: Historically, bone char mixed with tallow or wax was used to treat military leather goods, providing preservation and a black pigment, often referred to as "black ball".
- Aerospace Technology: A refined form of bone char is applied to the titanium heat shield of the ESA-NASA Solar Orbiter satellite. Developed using a 'CoBlast' technique, this coating protects the spacecraft from the intense glare and heat of the sun.
In Popular Culture
Media and Literature
The production and nature of bone char have captured attention in various cultural contexts:
- The Discovery Channel's television series Dirty Jobs featured the production of bone char in its Season 5 episode titled "Bone Black".
- Thomas Pynchon's novel The Crying of Lot 49 references human bone char, derived from fallen soldiers, used in cigarette filters.
- Jaroslav Hašek's satirical novel The Good Soldier Švejk includes a passage where soldiers contemplate the use of bone char ("spodium") from fallen comrades for sugar refineries, questioning the pricing based on rank.
References
- Fawell, John (2006). Fluoride in drinking-water. WHO. ISBN 9241563192.
- Discovery Channel. (n.d.). Dirty Jobs Episode Guide: Season 5 Episode "Bone Black". Archived from the original on November 13, 2010.
- Medellin-Castillo, Nahum A., et al. (2007). Adsorption of Fluoride from Water Solution on Bone Char. Industrial & Engineering Chemistry Research, 46(26), 9205–9212. doi:10.1021/ie070023n
- Horowitz, HS; Maier, FJ; Law, FE (1967). Partial defluoridation of a community water supply and dental fluorosis. Public Health Reports, 82(11), 965–72. doi:10.2307/4593174
- Mjengera, H.; Mkongo, G. (2003). Appropriate deflouridation technology for use in flourotic areas in Tanzania. Physics and Chemistry of the Earth, Parts A/B/C, 28(20–27), 1097–1104. doi:10.1016/j.pce.2003.08.030
- Ko, Danny C.K.; Porter, John F.; McKay, Gordon (2000). Optimised correlations for the fixed-bed adsorption of metal ions on bone char. Chemical Engineering Science, 55(23), 5819–5829. doi:10.1016/S0009-2509(00)00416-4
- Chen, Yun-Nen; Chai, Li-Yuan; Shu, Yu-De (2008). Study of arsenic(V) adsorption on bone char from aqueous solution. Journal of Hazardous Materials, 160(1), 168–172. doi:10.1016/j.jhazmat.2008.02.120
- Deydier, Eric; Guilet, Richard; Sharrock, Patrick (2003). Beneficial use of meat and bone meal combustion residue: "an efficient low cost material to remove lead from aqueous effluent". Journal of Hazardous Materials, 101(1), 55–64. doi:10.1016/S0304-3894(03)00137-7
- Gongali Model. (n.d.). Water-Nanofilter. gongalimodel.com.
- Asadi, Mosen (2006). Beet-Sugar Handbook. John Wiley & Sons. ISBN 9780471790983.
- Chou, Chung Chi (Ed.). (2000). Handbook of sugar refining: a manual for the design and operation of sugar refining facilities. Wiley. ISBN 9780471183570.
- Bomford D, Kirby J, Leighton J., Roy A. (1990). Art in the Making: Impressionism. National Gallery Publications.
- ColourLex. (n.d.). Édouard Manet, 'Music in the Tuileries Gardens'. colourlex.com.
- European Space Agency. (n.d.). Prehistoric cave pigment to shield ESA's Solar Orbiter. ESA.int.
- Encyclopedia Americana. (1920). Blacks.
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References
References
- Bomford D, Kirby J, Leighton, J., Roy A., Art in the Making: Impressionism. National Gallery Publications, London, 1990, pp. 112-119
- Ãdouard Manet, 'Music in the Tuileries Gardens', ColourLex
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