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William M. R. French

A comprehensive exploration of his pivotal role in shaping the Art Institute of Chicago and American art institutions, from his engineering background to his directorship.

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About William M. R. French

A Transformative Leader

William Merchant Richardson French (1843โ€“1914) was a distinguished American engineer whose career trajectory led him to become a pivotal figure in the American art world. Initially establishing a practice in civil engineering and landscaping, French's profound engagement with art subjects, particularly following the Great Chicago Fire, redirected his professional focus. He is most renowned for his long tenure as the first director of the Art Institute of Chicago, a role he held from 1885 until his death in 1914. During his leadership, he was instrumental in transforming the institution from a local academy into a globally recognized center for art education and exhibition.

Key Dates

Born: October 1, 1843, Exeter, New Hampshire
Died: June 3, 1914 (aged 70), Chicago, Illinois
Education: Harvard University, Phillips Exeter Academy
Director of the Art Institute of Chicago: 1885โ€“1914

National Significance

French's influence extended beyond Chicago. His lectures and writings on art subjects garnered national attention, solidifying his reputation as an authority. His administrative acumen and dedication were crucial in navigating the complex development of the Art Institute, including overseeing the construction of significant new buildings and fostering its growth into a world-class museum and school. He was also a founding member of the American Association of Museums, underscoring his broader impact on the museum field.

Biographical Details

Family Heritage

William French was born into a family with deep New England roots, tracing his ancestry back to Edward French, who arrived in America in 1630. Both of his grandfathers served in the American Revolution. His father, Henry Flagg French, was a prominent lawyer, judge, and agricultural expert who founded the Massachusetts Agricultural College. William's mother, Anne Richardson, was the daughter of Chief Justice William M. Richardson of New Hampshire. William's siblings included Henriette, Sarah, and the renowned sculptor Daniel Chester French. The family experienced personal loss when William was 13, with the death of his mother.

Early Life and Education

Described as an exceptionally bright and imaginative child, William French displayed a keen intellect and energetic disposition from a young age. The family's winters were often spent in Washington, D.C., and summers at their farm. He attended Harvard University, graduating in 1864, and also received education at Phillips Exeter Academy. An anecdote from his youth highlights his artistic inclination and resourcefulness, as he and his brother Daniel sculpted a "mother lioness and her little cub" that garnered admiration from the poet Henry Wadsworth Longfellow, a family neighbor.

Marriages and Offspring

William French's personal life included two marriages. His first marriage was to Sarah Moody Lovejoy of Princeton, Illinois, on September 9, 1879. Tragically, Sarah passed away in 1881 without any children. Nine years later, in 1890, French married Alice Helm, daughter of Henry Thomas Helm and Julia Lathrop Helm of Chicago. This union resulted in two sons: Henry Helm French (1891โ€“1970) and Prentiss French (1894โ€“1989).

Career Trajectory

From Engineering to Art Administration

Following the devastating Great Chicago Fire, which impacted his landscaping practice with H. W. S. Cleveland, William M. R. French pivoted his professional focus towards the fine arts. This transition marked a significant shift from his engineering background. He began lecturing and writing on art subjects, gaining recognition for his insights. In 1878, he assumed the role of Secretary for the Chicago Academy of Design. This institution was subsequently reorganized in 1879 as the Chicago Academy of Fine Arts, and later, in 1882, it was renamed the Art Institute of Chicago.

Leading the Art Institute

Upon the renaming to the Chicago Academy of Fine Arts, French's title evolved to Director, making him the inaugural leader of the Art Institute of Chicago. He served in this capacity from 1885 until his passing in 1914. In this crucial role, he meticulously managed the daily operations of both the school and the museum, working in close concert with Board President Charles L. Hutchinson. His profound dedication was evident; a contemporary noted he "knew every stone in the structure, every collection in the galleries, and every servant in his employ." French also contributed academically by teaching a course in Artistic Anatomy for many years and was a foundational member of the American Association of Museums.

Vision and Expansion

French was instrumental in guiding the Art Institute's evolution from a local arts organization into a distinguished institution of international repute. He oversaw the construction of two major buildings for the Institute, including the significant lakefront structure intended for the World's Columbian Exposition of 1893. His travels abroad, documented in detailed logs filled with sketches and notes, reflect his commitment to acquiring knowledge and inspiration for the Institute's development. Despite some community contention during the transition, the school remained operational throughout this period of significant growth and transformation.

Life and Career Timeline

Key Milestones

A chronological overview of William M. R. French's life and professional journey:

  • 1843: Born in Exeter, New Hampshire.
  • 1856: Mother passes away.
  • 1859: Father remarries Pamela Mellen Prentice.
  • 1860: Family relocates to Cambridge, Massachusetts; begins studies at Harvard University.
  • 1864: Graduates from Harvard University.
  • 1864-1865: Serves briefly as a corporal in the 12th Massachusetts Regiment.
  • 1865-1867: Works in engineering offices in Boston and Chicago.
  • 1867-1871: Engages in engineering roles in Chicago and Indiana, including work on a ship canal and as Assistant Engineer for the Board of Public Works.
  • 1871: Establishes a landscaping and engineering practice with H. W. S. Cleveland in Chicago.
  • 1874: Begins lecturing and writing on art subjects.
  • 1878: Becomes Secretary of the Chicago Academy of Design.
  • 1879: Marries Sarah Moody Lovejoy; the Academy is reorganized as the Chicago Academy of Fine Arts.
  • 1881: Wife Sarah Moody Lovejoy dies.
  • 1882: The Chicago Academy of Fine Arts is renamed the Art Institute of Chicago.
  • 1883-1884: Serves as Supervising Architect of the Treasury.
  • 1884: Returns to Chicago and becomes the first Director of The Art Institute of Chicago.
  • 1890: Marries Alice Helm of Chicago.
  • 1891: Son Henry Helm French is born.
  • 1894: Son Prentiss French is born.
  • 1914: Passes away in Chicago.

Legacy and Passing

A Cherished Figure

William M. R. French's death in 1914 was met with profound sorrow in Chicago. His impact and beloved status were such that the demand for attendance at his funeral service necessitated the addition of a second service. Lorado Taft, a contemporary and friend, eloquently captured French's significance, stating, "To know Mr. French well was a liberal education; to have been counted among his friends will be esteemed by some of us as one of the most precious of life's privileges." His legacy is intrinsically tied to the enduring success and stature of the Art Institute of Chicago.

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References

References

  1.  Cresson, Margaret French. The Life of Daniel Chester French Journey into Fame. Cambridge Massachusetts: Harvard University Press, 1947.7รขย€ย“11. Print.
  2.  Cresson, Margaret French. The Life of Daniel Chester French Journey into Fame. Cambridge Massachusetts: Harvard UP, 1947.14. Print.
  3.  Cresson, Margaret French. The Life of Daniel Chester French Journey into Fame. Cambridge Massachusetts: Harvard UP, 1947.1. Print.
A full list of references for this article are available at the William M. R. French Wikipedia page

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