Lucas Horenbout: Illuminating the Tudor Court
A Master of Miniature and the Dawn of English Portraiture.
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Life and Family
Origins in Ghent
Lucas Horenbout, often referred to as Hornebolte in England, was born in Ghent, Flanders, around 1490 or 1495. He hailed from a distinguished artistic family. His father, Gerard Horenbout, was a notable manuscript illuminator and had served as court painter to Margaret of Austria, Regent of the Netherlands, from 1515 to approximately 1522. Lucas trained under his father and became a master of the local Guild of Saint Luke in 1512, signifying his early establishment as a professional artist.
Arrival in England
Horenbout relocated to England in the mid-1520s, possibly around 1522 or 1525, accompanied by his sister Susannah, who was also an illuminator, and potentially his father. Their move may have been connected to an initiative to revitalize English manuscript illumination by establishing a workshop in London, though this remains a subject of scholarly debate. In England, Lucas married Margaret Holsewyther, an artist of German descent who was likely born in England.
Royal Appointment and Recognition
By September 1525, Lucas Horenbout was receiving payments from King Henry VIII as a "pictor maker." His official title of "King's Painter" was confirmed for life in June 1534, when he also became a "denizen," essentially a naturalized citizen. He was exceptionally well-compensated, earning a substantial annual salary of sixty-two pounds and ten shillings, a figure significantly higher than that of Hans Holbein the Younger during his tenure as court painter. Horenbout was granted a residence in Charing Cross and permitted to employ four foreign journeymen.
Later Life and Legacy
Lucas Horenbout died in London in 1544 and was buried at St. Martin-in-the-Fields. He left behind a wife, Margaret, and a daughter, Jacquemine. His wife continued to produce miniatures, receiving payments from Queen Catherine Parr for her work for several years after Lucas's death. The studio was bequeathed to be divided between his wife and daughter. While his father Gerard returned to the Continent and died by 1540, and his sister Susannah is recorded as married and living in England, Lucas's direct artistic lineage in England was established through his own pioneering work.
Artistic Contributions
Founder of English Miniature Painting
Lucas Horenbout is widely credited as the founder of the distinct English tradition of portrait miniature painting. This art form emerged quite suddenly in England around the time of his arrival, with few direct precedents on the continent. While three lost miniatures, possibly by Jean Clouet and sent from the French court, might have served as inspiration, Horenbout's work established the genre in England, influencing generations of artists.
Mentorship and Influence
According to the early 17th-century art historian Karel van Mander, Horenbout taught the art of illumination to Hans Holbein the Younger, another prominent court artist under Henry VIII. While this assertion has been subject to scholarly debate, with some art historians like John Rowlands suggesting Holbein's miniature techniques were more influenced by the French school, Horenbout's presence and skill undoubtedly contributed to the vibrant artistic environment of the Tudor court.
Attributed Miniatures
In recent decades, approximately twenty-three surviving portrait miniatures have been attributed to Horenbout. With the exception of one portrait of Holbein, these works predominantly depict members of the English royal family and other European nobility. Notable attributions include portraits of at least four of Henry VIII's Queens. A significant number of these dated works originate from the 1520s, coinciding with his early years in England.
Beyond Miniatures
Horenbout's artistic output extended beyond miniatures. He is recorded as having worked on panel paintings, woodcuts, and decorative schemes for royal festivities. While few certain examples of these survive, illuminated decorations on royal charters, Acts, and similar official documents are also attributed to him. Furthermore, some illuminations within significant manuscripts, such as the ''Sforza Hours'' and documents related to Cardinal Wolsey's Cardinal College, have been tentatively attributed to Lucas, his father Gerard, or his sister Susannah, highlighting the family's collective artistic talent.
Notable Works
Royal Portraits
The following subjects were depicted in works attributed to Lucas Horenbout or his circle, showcasing his significant contribution to Tudor court portraiture. Due to restrictions on image usage, visual representations are not displayed here, but the subjects provide context for his artistic focus.
Scholarly Notes
Reference Details
The following notes provide specific details and attributions referenced in scholarly works concerning Lucas Horenbout and his contemporaries. These citations are crucial for understanding the provenance and interpretation of his artistic legacy.
- Strong, 1983a, p.36
- Margaret was the widow of Catherine's brother John, Prince of Asturias. Margaret's brother Philip the Handsome had married Catherine's sister. Both were aunts of Emperor Charles V
- Richard Gay and T Kren in T Kren & S McKendrick (eds), Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, pp. 427-431 & passim, Getty Museum/Royal Academy of Arts, 2003, ISBN 1-903973-28-7
- possibly as early as 1522, says Reynolds, op cit
- T Kren & S McKendrick, op cit, pp. 427-8
- James, Susan (2020). "Holsewyther, Margaret (b. c. 1504, d. after 1560), royal miniaturist". Oxford Dictionary of National Biography. doi:10.1093/odnb/9780198614128.013.90000369540. ISBN 978-0-19-861412-8. Retrieved 27 March 2021.
- Reynolds (2006):45
- Strong 1983a, p. 34; although Gay in Kren:434 says only ยฃ33 6s
- Gay op cit, p.434
- Strong, 1983a, p.34
- Rowlands, 88โ90. Karel van Mander wrote in the early 17th century that "Lucas" taught Holbein illumination, but art historian John Rowlands downplays Horenbout's influence on Holbein's miniatures, which he believes follow the techniques of Jean Clouet and the French school.
- Reynolds (1980) pp.33-39. The drawing is in the Uffizi image - "much retouched" and not universally accepted as an original Holbein (Reynolds (1980):38 & passim)
- Reynolds,1980:38
- The other is owned by the Duke of Buccleuch
- Reynolds (1980):38
- Strong 1983b:42โ44
- Strong 1983a:34
- Gay op cit, No. 132, p.434-5
- T Kren & S McKendrick op cit, Nos. 130 & 131, p.431-3
External Resources
Wikimedia Commons
Explore visual materials related to Lucas Horenbout and his contemporaries.
Category:Lucas Horenbout on Wikimedia Commons (opens in new tab)
Government Art Collection
View portraits of monarchs from the preceding century, potentially linked to the 'Cast Shadow Workshop' associated with Horenbout.
Cast Shadow Workshop Portraits (opens in new tab)
Society of Antiquaries
Access information on four paintings attributed to the 'Cast Shadow Workshop'.
Cast Shadow Workshop Paintings (opens in new tab)
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References
References
- The other is owned by the Duke of Buccleuch
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Important Notice
This page has been generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is derived from publicly available data, primarily Wikipedia, and may not be entirely comprehensive, accurate, or up-to-date. Historical interpretations and attributions can evolve.
This is not professional art historical advice. The information provided is not a substitute for consultation with qualified art historians, curators, or specialists in Renaissance art and portraiture. Always consult primary sources and expert opinions for definitive research.
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