Peter F. Rothermel: Chronicler of American History
An in-depth exploration of the life and works of a pivotal 19th-century American history painter.
Early Life ๐ Notable Works ๐ผ๏ธDive in with Flashcard Learning!
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Formative Years: Genesis of an Artist
Birth and Early Education
Peter Frederick Rothermel was born on July 8, 1812, in Nescopeck, Pennsylvania. While some sources cite alternative birth years (1813, 1814, 1817), his gravestone confirms 1812 as the birth year. He received a common-school education and initially studied land surveying.[1][2]
Philadelphia Beginnings
At the age of 20, Rothermel relocated to Philadelphia, embarking on a career as a sign painter. Subsequently, at 22, he dedicated himself to the formal study of art. His artistic tutelage included drawing instruction from John Rubens Smith, followed by studies under Bass Otis in Philadelphia.[3][4]
Artistic Ascent: A Distinguished Career
Early Recognition
Rothermel achieved his first significant artistic success in 1844 when his painting, De Soto discovering the Mississippi, was acquired by the Art Union. This marked a pivotal moment, establishing his presence in the art world.[4]
Institutional Roles
His commitment to the arts community was evident through his service as vice president of the Artists' Fund Society in 1844. Furthermore, he held a directorship at the Pennsylvania Academy of Fine Arts from 1847 to 1855, contributing to the institution's development.[3]
European Sojourn
Between 1856 and 1859, Rothermel spent approximately two years residing in Rome, Italy, as part of an extensive European tour. This period also included visits to major cultural centers across England, France, Germany, Belgium, and Italy, enriching his artistic perspective.[3]
Teaching and Influence
Upon his return to the United States, Rothermel settled back in Philadelphia. He was elected as a member of the Pennsylvania Academy of Fine Arts and also dedicated time to teaching. Among his notable students was the artist Charles Lewis Fussell, underscoring his role as an educator.[3][5]
Visual Narratives: A Gallery of Masterpieces
Iconic Historical Paintings
Rothermel was renowned for his dramatic historical paintings and portraits. His most celebrated works capture pivotal moments in history and portraiture:
Additional Contributions: A Broader Portfolio
Extensive Body of Work
Beyond his most famous pieces, Rothermel's artistic output encompassed a wide array of subjects and styles. His portfolio includes numerous other significant paintings:
- Christabel
- Katherine and Petruchio
- De Soto discovering the Mississippi (1844)
- Embarkation of Columbus
- Christian Martyrs in the Colosseum
- A series of paintings illustrating William H. Prescott's History of the Conquest of Mexico (circa 1850)
- The Virtuoso (1855)
- Vandyke and Rubens (1856)
- St. Agnes (1858)
- Paul at Ephesus
- Paul before Agrippa
- St. Paul preaching on Mars Hill to the Athenians
- Trial of Sir Henry Vane
- The Landsknecht (1876)
- Bacchantes (1884)
Scholarly Foundations: Reference Notes
Citations and Sources
The information presented on this page is derived from established scholarly and archival sources, ensuring a foundation of factual accuracy. These references provide further context and verification for the biographical and artistic details of Peter F. Rothermel's life and work.
- Art, Archives of American. "Summary of the Peter Frederick Rothermel papers, 1844-1895 - Archives of American Art, Smithsonian Institution". Retrieved July 14, 2016.
- Peter Frederick Rothermel, I (1812 - 1895) - Find A Grave Memorial. Find a Grave. Retrieved July 14, 2016.
- Wilson, J. G.; Fiske, J., eds. (1900). "Rothermel, Peter Frederick". Appletons' Cyclopรฆdia of American Biography. New York: D. Appleton.
- Grafly, Dorothy (1935). "Rothermel, Peter Frederick". Dictionary of American Biography. New York: Charles Scribner's Sons. p. 187.
- "Archives | Philadelphia Sketch Club". sketchclub.org. Retrieved January 17, 2018.
- Hill, Patrick Henry's Red. "Patrick Henry Before the Virginia House of Burgesses". Patrick Henry's Red Hill. Retrieved August 27, 2023.
- See Picture of the Battle of Gettysburg, painted by P. F. Rothermel. Philadelphia: Dunk, Longacre & Co., 1877
- "APS Member History". search.amphilsoc.org. Retrieved May 3, 2021.
- Peter Frederick Rothermel - Columbus before the Queen - 1976.119 - Smithsonian American Art Museum.
- Abraham Casting Out Hagar and Ishmael, 1845 - Peter Frederick Rothermel.
- Frances Anne ('Fanny') Kemble by Peter Frederick Rothermel.
- Peter Frederick Rothermel - Portrait of the Downer Children - 2000.8 - Smithsonian American Art Museum.
- The Landing of the Pilgrims at Plymouth Rock, 1620, 1854 - Peter Frederick Rothermel.
- The United States Senate, A.D. 1850, ca. 1855 - Peter Frederick Rothermel.
- 'The King and the Beggar' by Peter Frederick Rothermel, Dayton Art Institute.
- Peter Frederick Rothermel - Christ Among the Doctors - 1935.209.1 - Reading Public Museum.
- Peter Frederick Rothermel - Prepatory Sketch for Pickett's Charge at the Battle of Gettysburg - 64.450 - Museum of Fine Arts.
- Thou Art the Man, 1884 - Peter Frederick Rothermel.
Further Exploration: External Resources
Connected Resources
For deeper engagement with the subject matter, consult the following external resources:
- Wikimedia Commons: Media related to Peter F. Rothermel
- Lehigh University webpage dedicated to Rothermel
- Getty Union Artist Names (ULAN) entry
- RKD Artists database entry
- SNAC (Social Networks and Archival Context) profile
- Yale University Art Gallery LUX entry
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References
References
- See Picture of the Battle of Gettysburg, painted by P. F. Rothermel. Philadelphia: Dunk, Longacre & Co., 1877
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Important Notice
This page was generated by an Artificial Intelligence and is intended for informational and educational purposes only. The content is based on a snapshot of publicly available data from Wikipedia and may not be entirely accurate, complete, or up-to-date.
This is not professional art historical advice. The information provided on this website is not a substitute for professional consultation regarding art history, provenance, or conservation. Always refer to primary sources, consult with art historians, curators, or conservators for specific inquiries, and conduct your own due diligence.
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